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Third-Year Internships

The third year of the program consists of a twelve-month internship spent away from the department. The intern trains under the supervision of a senior conservator working in the student's area of specialization. Placement is made at the department's discretion in consultation with the student and potential internship supervisors. The progress of each internship is monitored by the student's department advisor through reports submitted periodically by the internship supervisor and the intern. Interns may elect a 20-workday privilege for individual research and study with the approval of the internship supervisor and the department. At the close of the internship year, all interns return to the department in September for final oral presentations and presumed award of the Master of Arts degree and Certificate of Advanced Study in Art Conservation.

Recent third year internship placements have been at the Metropolitan Museum of Art, the Museum of Fine Arts, Boston, the Library of Congress, The Carnegie Musem of Art, The Museum of Modern Art, the Denver Art Museum, the Virginia Museum of Fine Arts and the Los Angeles County Museum of Art. Below are pictures of some of our current third year interns working at their respective sites across the country.


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Allen Kosanovich ('07) retouches a Veronese painting during his third year internship at the Philadelphia Museum of Art.
Lauren Varga ('07) maps damages on a drawing during her internship in paper at the Art Institute of Chicago.
Rachel Penniman ('07) treated a larger than life acrylic urethane on fiberglass sculpture by Luis Jimenez called "Man on Fire" at the Walters Art Museum.

Current Third-Year Interns

Emily Gardner - de Young Museum, Fine Arts Museum of San Francisco
Emily Gardner removes varnish from a painting at the de Young Museum.
Caitlin Jenkins - Brooklyn Museum

Caitlin Jenkins treats an 1885 Winslow Homer watercolor titled "Sharks" from at the Brooklyn Museum of Art. She is shown here reducing stains from the front using a suction table and an ultrasonic mister in the museum's paper lab.

Dawn Jaros - Balboa Art Conservation Center

Dawn Jaros and her supervisor Janet Ruggles ('76) remove the backing of a John James Audubon print entitled, "Red-tailed Hawk" at the Balboa Art Conservation Center in San Francisco.

Colleen Snyder & Catalina Vasquez-Kennedy - The Walters Art Museum
Colleen Snyder is treating a Chinese Imperial Headdress for an upcoming exhibition at the Walters. It is made of bright blue kingfisher feathers, along with pearls, rubies, jade, and coral. Treatment has included re-attaching lifting and separated feather fragments, as well as re-stringing pearls that had fallen off with her own hair!
Colleen, an objects intern, has also be busy treating a Roman sarcophagus lid in view of the public. For more information on the projects, visit the Walter's website on conservation in the galleries.
Catalina Vasquez-Kennedy is a paintings intern at the Walters and is shown here inpainting and varnishing a painting.
Sara Bisi - Williamstown Art Conservation Center
Sara Bisi works on stabilizing several paper projects at the Williamstown Art Conservation Center where she is completing her third year internship in paper and photo conservation.
Paige Isaacs - Museum of Modern Art
Paige Isaccs is on-site at Martin Puryear's studio consolidating a sculpture made of dirt in preparation for shipment to MoMA for the artist's retrospective show.  
In the objects lab, Paige cleans a painted bronze Picasso entitled, "Goat Head and a Bottle" that has been contiuously on view for over forty years at MoMA.
Paige dusts a 1945 Arthur Young Bell-47D1 Helicopter suspended in the air at the MoMA.
Chris Watters - National Gallery of Art
Chris Waters does some preventive conservation work to stop buildup of bacterial growth on "Cherubs Playing with a Lyre" by Pierre Legros I.
Chris is shown here applying the annual protective wax coating on Henry Moore's "Knife edge mirror two pieces" at the National Gallery.
With a view of Pennsylvania Ave. in the background, Chris is dusting Tony Smith's 'Die' on the mezzanine of the east building.
Art Conservation Department
Buffalo State College
1300 Elmwood Avenue
Rockwell Hall 230
Buffalo, NY 14222-1095
Phone: 716.878.5025
Fax: 716.878.5039

Email: artcon@buffalostate.edu
 
Last updated 7/14/08
© Art Conservation Department 2005